Directed by Wilfred "JAXON" Jackson, laid out by Maclaren Stewart. Assistant director Mike Holoboff, secretary Toby (Tobelmann). This FINAL draft dated 11/3/52. Animation by Marvin Woodward (Lost Boys, John, Michael), Eric Larson (Peter), Harvey Toombs (Wendy), Don Lusk (Tink), Norm Ferguson (Nana), Jack Campbell (Father), Art Stevens, Milt Kahl (Father, Mother, Wendy), Marc Davis (Mother), Hal King (John), George Rowley (anchor chain, pixie dust, sail, ship), Josh Meador (cloud-ship). And that concludes the draft for Peter Pan, the fourteenth complete feature film draft on this blog! (Ok, you smart-alecks, we still need to see the last page of the Pink Elephant sequence...) As always, I feel the need to stress that these documents were kept to keep track of the responsible person, and as such it may not reflect precisely the specific directing animators who worked on the sequences. If e.g. an inker or checker needed to find out who animated the scene because of some question...
I thought the kissing scenes at the end stood out from the rest of the dancing scenes! It seems Ollie gets more specific acting business than Thomas does here.
ReplyDeleteReally? Both animators do great work on the penguins, without doubt; but I always thought the penguin dance was the most fulfilling from a cinematic perspective. But..different strokes for different folks, I suppose.
ReplyDeleteMmm, there appears to be a few missing scenes of the penguin being slapped, though I'll say it's safe to say it was likely Ollie's work.
So Frank Thomas is used as the "action" animator and Ollie Johnston as the "personality" animator.
ReplyDeleteFrank's animation did show personality on the penguins, didn't he? I mean, the penguins ducking under Dick Van Dyke's feet, is certainly solid character animation; as well as an animation problem Thomas managed to solve.
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