A. Film L.A. test

The rest of Supercal - animated by Ward Kimball. And this concludes the Mary Poppins draft. The only other animated part in this film is the stop motion by Bill Justice and X. Atencio, and it is not in the draft. As always, as I said before, remember the standard disclaimer: these were working documents, not historical artifacts, so at times they may not be correct. The draft was prepared October 7th, 1963, while the film premiered August 27th of the next year, so a lot could have happened in the mean time. Steven already pointed out that a penguin scene is missing and two live action scenes were cut out. I presume, however, that the draft otherwise is pretty much precise, but keep the comments coming anyway! Next up, The Jungle Book. Still need to prepare the files, but it will not be long...

Animation by Milt Kahl (fox, stewards), Eric Larson (racers), Cliff Nordberg (photographer, reporters), Ward Kimball (pearlies). David Tomlinson speaking for jockey and both stewards, while the reporters are Dal McKennon, J. Pat O'Malley, Alan Napier and George Pelling respectively. We have reached the start of Supercalifragilisticexpialidocious... (Strange: the word is not in my spell check!)

Animation by Fred Hellmich (fox hunters, hounds), John Lounsbery (huntsman and horse) and Milt Kahl (fox and riders). Again we hear Dal McKennon doing a voice, this time the Irish fox, animated by Milt. In a way it is funnier seeing the credits for the voices of the hounds: J. Pat O'Malley, George Pelling (voice of Danny in One Hundred and One Dalmatians), Dal McKennon, Sean McClory (another famous actor, for Disney e.g. the police sergeant in The Happiest Millionaire) and Alan Napier (Sir Pelinore in Sword in the Stone, and Alfred in the Batman series of my childhood!). We meet most all of them again later in this sequence.

The rest of Frank and Ollie's animation of the penguins, and a scene of the merry-go-round guard by Art Stevens.

Animation by Ollie Johnston and Frank Thomas. Voices actors mentioned here: Dal McKennon (penguin) and J. Pat O'Malley (another penguin). And we are reminded to "check with Joe." You knew THAT Frank and Ollie did the penguins. Here you can find out HOW they split them between them precisely... (More tomorrow!)

Hal Ambro (turtles), Julius "Sven" Svendsen (swans & cygnets), Ollie Johnston (penguins) and held cell menus by Jack Boyd. Note sc. 48: "Daws Butler - 45 cycles - turtle dialogue." The "cycles" show how the track is to be sped up (or down, as the case may be). One sees this more often, like on Paul Frees' tracks for Ludwig von Drake, which I seem to recall are done at 90 cycles. The indication on sc. 64 is also kind of fun: all the action to be fielded to a (Disney) 6½ field, with the characters to be positioned and blown up per guide. Ollie drew based on the stats in a different size, and then the drawings were to be xeroxed according to his indications filling the entire 6½ Field (which is, for those of you calculating in ACME, 14.4 Field, see the calculator on my separate Fields, Paper and Pegs page linked to in the right column).

Today we find Eric Larson (birds, rabbits, squirrels, butterflies, deer), Cliff Nordberg (chickens and small animals), John Lounsbery (farmyard animals: rams, lambs, chicken, geese, pig, horse) and Hal Ambro (turtles), a well as effects animator Dan MacManus (butterflies). Eric Larson's squirrel in Sleeping Beauty is a classic (I have a great model sheet of that one somewhere), one he revisits here in a little less stylized version.

As a little surprise, before throwing myself at the more extensive job of posting the Jungle Book draft, I will, over the next week, post the draft to Mary Poppins - to wit the animated sequence that Mrs. Travers seems to have hated (see Saving Mr. Banks). The film itself had production number 2162, while this sequence by itself is 2165. It's a Jolly Holiday - in April. I am aware I haven't posted anything significant in quite a long time; to get back in some kind of rhythm, I will start slowly: Directed by Ham Luske, assisted by Jim Swain. Layouts by MacLaren Stewart, Don Griffith and Joe Hale. Production secretary Ruth Wright. This 2nd draft dated 10/7/63. These first pages are mainly Live Action on animation backgrounds; there is little effects animation (dust and falling blossom) by Dan MacManus. The interesting bit here is the top of the first page: here we see explained the legend of the letters used in the BG column (!), stating the different types of shots, while it i