Lady, Bull, Toughy and Peg are animated by the same group we've seen on earlier Geronimi sequences: John Lounsbery, Eric Larson, Cliff Nordberg, Don Lusk and George Kreisl. Nordberg gets the scenes of Lady with the guard. As a general rule Larson animates Lady and Peg, while Lounsbery animates the male dogs, but there are some exceptions: one shot of Peg singing is credited to Lounsbery!
Meanwhile, Boris, Pedro, Dachsie and the "chorus" dogs in the opening scenes are animated by the group from Ham Luske's sequences: Woolie Reitherman, Hal King, Hugh Fraser, Eric Cleworth, Jerry Hathcock and Marvin Woodward.
Lounsbery does everything Woolie doesn't do here, including scenes of Lady and Peg. And I'm very surpesed Frank Thomas isn't doing the crying dogs. Depression was his specialty.
Zartok, let's not imply too much that Frank was typecast on 'depression' scenes..though I do understand your reason. i.e. (SNOW WHITE, PINOCCHIO, SWORD IN THE STONE). This just shows versatility played a part for Woolie.
Woolie's work is particularly fun, particularly on Boris (voiced by Alan Reed: same guy who voices Fred Flintstone - nice connection).
The Cliff Nordberg scenes of Nutsy taken to the 'one-way doors' was mentioned in THE ILLUSION OF LIFE..and Frank & Ollie right how only Cliff could handle a dramatic scene with charm, at least as I recall offhand.
Eric Larson's work was of course, marvellous, and Larson certainly showed a lot of sex appeal for Peg towards the dogs.
Frank did crying scenes in Alice In Wonderland and Sleeping Beauty, too. Most of this would have been an attempt to cash in on how he emotinally triggered the audience in 'Snow white'
Working with Børge was fun, hard, boring, exciting, unusual, normal, and most of all educational. Over a year before leaving high school, in March 1978 I found out he lived in my neighborhood from a tv program about him and his wife Joanika. So I found him in the phone book (remember those?) and called him up. While studying art history, for a year I was his "pupil" doing animation tests, dropping by and having him correct them. Then, fed up with my art history professors, I moved my animation desk with my Neilson-Hordell disc into his Blaricum attic! (I am pointing at it in this photo taken last year:) Here, for almost four years, from March 1980 to November 1983 I smelled of his Douwe Egberts Red Amphora pipe tobacco and every day incl. weekends, Christmas and New Year from 10 to 6 we worked to the sound of BBC World Service if there were no jazz songs he had to listen to over and over again for an upcoming gig. I started doing simple non-production tests from his animation...
Directed by Ham Luske assisted by Jim Swain. Laid out by Ken Anderson, Al Zinnen and Thor Putnam. Secretary Ruth Wright. This Final draft dated 8/5/54. Animation by Ken O'Brien, George Nicholas, Jerry Hathcock, Harvey Toombs, Hal Ambro, Hal King with the baby by George Rowley. Again, very serviceable animators, no masterpieces... I like the CinemaScope note for sc. 28: "Lady will have to be alive throughout scene."
Hi Friends! It's been too long! I have been drenched in work, and the history of the place I am working in is in itself REALLY interesting! On the other hand, I cannot stand not being in touch with my good Disney friends, and I feel a severe need to share some more stuff. This time I will show you Prod. 2006 - Dumbo. This is the sequence listing, typed on labels and stuck onto the inside of the folder containing the draft: I certainly hope someone will make mosaics of this, as well, though I must warn you in advance that there are scenes missing animator assignments. This production seems to have been made so quickly, that once the last scenes were handed out, there would be no new drafts made up. This seems quite logical, considering my "Standard Disclaimer:" "Animation drafts were never meant to be historical documents. They were meant as go-to documents, showing the responsible artist for a certain scene, who might be able to help in case there would be any need ...
Some interesting casting here.
ReplyDeleteLady, Bull, Toughy and Peg are animated by the same group we've seen on earlier Geronimi sequences: John Lounsbery, Eric Larson, Cliff Nordberg, Don Lusk and George Kreisl. Nordberg gets the scenes of Lady with the guard. As a general rule Larson animates Lady and Peg, while Lounsbery animates the male dogs, but there are some exceptions: one shot of Peg singing is credited to Lounsbery!
Meanwhile, Boris, Pedro, Dachsie and the "chorus" dogs in the opening scenes are animated by the group from Ham Luske's sequences: Woolie Reitherman, Hal King, Hugh Fraser, Eric Cleworth, Jerry Hathcock and Marvin Woodward.
Lounsbery does everything Woolie doesn't do here, including scenes of Lady and Peg.
ReplyDeleteAnd I'm very surpesed Frank Thomas isn't doing the crying dogs. Depression was his specialty.
Zartok, let's not imply too much that Frank was typecast on 'depression' scenes..though I do understand your reason. i.e. (SNOW WHITE, PINOCCHIO, SWORD IN THE STONE). This just shows versatility played a part for Woolie.
ReplyDeleteWoolie's work is particularly fun, particularly on Boris (voiced by Alan Reed: same guy who voices Fred Flintstone - nice connection).
The Cliff Nordberg scenes of Nutsy taken to the 'one-way doors' was mentioned in THE ILLUSION OF LIFE..and Frank & Ollie right how only Cliff could handle a dramatic scene with charm, at least as I
recall offhand.
Eric Larson's work was of course, marvellous, and Larson certainly showed a lot of sex appeal for Peg towards the dogs.
Frank did crying scenes in Alice In Wonderland and Sleeping Beauty, too. Most of this would have been an attempt to cash in on how he emotinally triggered the audience in 'Snow white'
ReplyDelete