Prod. 2079 - Lady and the Tramp (XV) - Seq. 09.0 - Lady in the Chicken Yard
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Directed by Ham Luske assisted by Jim Swain. Laid out by Al Zinnen, Lance Nolley and Collin Campbell. Secretary Ruth Wright. This Final draft dated 8/10/54.
we start off with a unexpected suprise, Woolie being teamed up by his assistant, Bob McCrea! Then Ed Aardal animates one scene and when they get to the chicken coop, the chase begins with Woolie, McCrea, Fraser and Hatchcock doing their best skills. And then who shows up, oh no!, it's Ken O'Brien animating Tramp, but only in four scenes!. I think Woolie specially assigned O'Brien to Tramp to "re-issue" the rest of Jerry's scenes.. O'Brien however animates Lady a sequence ago but for the rest of this movie he mainly animates humans.
A more expected assignment for Woolie and his team - a chase sequence. We haven't seen Marvin Woodward or Hugh Fraser on this draft for a while - Woodward was last seen animating the rat, and Fraser animating Trusty's first scenes - both probably under Woolie's supervision as they are here.
A few more uncredited animators: Fred Kopietz and Bob McCrea, along with Harry Holt again. As on Sleeping Beauty, most of the animators who didn't get screen credit are working for Woolie. Coincidence? Connection?
Christopher: Are you a sports commentator by trade? :)
"for the rest of this movie he mainly animates humans" - not only that, but for most of *his career* he animated humans.
In fact, if you look at the scenes on this draft where O'Brien is listed as animating dog characters, Woolie's name isn't far away. I don't know how much control the directing animators had, but it looks like Woolie was the one "casting him against type".
Well, Ken O'Brien did work for Walter Lantz briefly along with Fred Moore in the late 40s; so he wasn't a human animator all his career.
The earlier scenes of Tramp enticing Lady to chasing chickens: animated by Woolie and Hatchcock--are brilliant. The facial expressions of Tramp's line 'Ever chased chickens?' is executed wonderfully. Shows how he was more than the average guy.
Working with Børge was fun, hard, boring, exciting, unusual, normal, and most of all educational. Over a year before leaving high school, in March 1978 I found out he lived in my neighborhood from a tv program about him and his wife Joanika. So I found him in the phone book (remember those?) and called him up. While studying art history, for a year I was his "pupil" doing animation tests, dropping by and having him correct them. Then, fed up with my art history professors, I moved my animation desk with my Neilson-Hordell disc into his Blaricum attic! (I am pointing at it in this photo taken last year:) Here, for almost four years, from March 1980 to November 1983 I smelled of his Douwe Egberts Red Amphora pipe tobacco and every day incl. weekends, Christmas and New Year from 10 to 6 we worked to the sound of BBC World Service if there were no jazz songs he had to listen to over and over again for an upcoming gig. I started doing simple non-production tests from his animation...
Directed by Wilfred "JAXON" Jackson, laid out by Maclaren Stewart. Assistant director Mike Holoboff, secretary Toby (Tobelmann). This FINAL draft dated 11/3/52. Animation by Marvin Woodward (Lost Boys, John, Michael), Eric Larson (Peter), Harvey Toombs (Wendy), Don Lusk (Tink), Norm Ferguson (Nana), Jack Campbell (Father), Art Stevens, Milt Kahl (Father, Mother, Wendy), Marc Davis (Mother), Hal King (John), George Rowley (anchor chain, pixie dust, sail, ship), Josh Meador (cloud-ship). And that concludes the draft for Peter Pan, the fourteenth complete feature film draft on this blog! (Ok, you smart-alecks, we still need to see the last page of the Pink Elephant sequence...) As always, I feel the need to stress that these documents were kept to keep track of the responsible person, and as such it may not reflect precisely the specific directing animators who worked on the sequences. If e.g. an inker or checker needed to find out who animated the scene because of some question...
Finally, the film I directed called " nijntje de film " ( miffy the movie ) has gone into general release in 118 cinemas in Holland today! As you can imagine, I am very proud of this film. Interestingly, the reviews are split in two: the ones where the reviewer saw the film WITH a children's audience all give the film four out of five stars, while the ones who have NOT seen the film with kids give it three out of five, and mention "I doubt if the film can keep the young audience captivated." The "four star" reviewers note that it can - that the film "works!" In the Dutch TV guide Troskompas , in the very first review published a week ago, I found a very clear view on this: the reviewer wrote that he feels he has no way of judging the film, but as his kid loved it and was entertained all the way, he could not but give the film four stars. To me, that is the only way to look at it: does our target audience like it? Are they amused and entertai...
we start off with a unexpected suprise, Woolie being teamed up by his assistant, Bob McCrea! Then Ed Aardal animates one scene and when they get to the chicken coop, the chase begins with Woolie, McCrea, Fraser and Hatchcock doing their best skills. And then who shows up, oh no!, it's Ken O'Brien animating Tramp, but only in four scenes!. I think Woolie specially assigned O'Brien to Tramp to "re-issue" the rest of Jerry's scenes.. O'Brien however animates Lady a sequence ago but for the rest of this movie he mainly animates humans.
ReplyDeleteFinally, a Ham Luske sequence where Thor Putnam isn't doing layout. Al Zinnen is still here, though.
ReplyDeleteBob McCrea and Fred Kopietz join the uncredited roster for the film. Lots of scenes by Woolie and Hugh Fraser in here, too.
A more expected assignment for Woolie and his team - a chase sequence. We haven't seen Marvin Woodward or Hugh Fraser on this draft for a while - Woodward was last seen animating the rat, and Fraser animating Trusty's first scenes - both probably under Woolie's supervision as they are here.
ReplyDeleteA few more uncredited animators: Fred Kopietz and Bob McCrea, along with Harry Holt again. As on Sleeping Beauty, most of the animators who didn't get screen credit are working for Woolie. Coincidence? Connection?
Christopher: Are you a sports commentator by trade? :)
ReplyDelete"for the rest of this movie he mainly animates humans" - not only that, but for most of *his career* he animated humans.
In fact, if you look at the scenes on this draft where O'Brien is listed as animating dog characters, Woolie's name isn't far away. I don't know how much control the directing animators had, but it looks like Woolie was the one "casting him against type".
Well, Ken O'Brien did work for Walter Lantz briefly along with Fred Moore in the late 40s; so he wasn't a human animator all his career.
ReplyDeleteThe earlier scenes of Tramp enticing Lady to chasing chickens: animated by Woolie and Hatchcock--are brilliant. The facial expressions of Tramp's line 'Ever chased chickens?' is executed wonderfully. Shows how he was more than the average guy.