Prod. 2079 - Lady and the Tramp (XIX) - Seq. 12.0 - Tramp Kills Rat (II)
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Directed by Ham Luske assisted by Jim Swain. Laid out by Al Zinnen, Thor Putnam, Ken O'Corror and Maclaren Stewart. Secretary Ruth Wright. This Final draft dated 9/1/55.
Outside the first and last sequences, Les Clark only animates these few scenes of Lady in the cellar. I guess it's possible he supervised the work of other animators on other sequences without doing any scenes himself.
A few of the less prominent animators get some more to do here, most notably Ed Aardal.
Directed by Wilfred "JAXON" Jackson, laid out by Maclaren Stewart. Assistant director Mike Holoboff, secretary Toby (Tobelmann). This FINAL draft dated 11/3/52. Animation by Marvin Woodward (Lost Boys, John, Michael), Eric Larson (Peter), Harvey Toombs (Wendy), Don Lusk (Tink), Norm Ferguson (Nana), Jack Campbell (Father), Art Stevens, Milt Kahl (Father, Mother, Wendy), Marc Davis (Mother), Hal King (John), George Rowley (anchor chain, pixie dust, sail, ship), Josh Meador (cloud-ship). And that concludes the draft for Peter Pan, the fourteenth complete feature film draft on this blog! (Ok, you smart-alecks, we still need to see the last page of the Pink Elephant sequence...) As always, I feel the need to stress that these documents were kept to keep track of the responsible person, and as such it may not reflect precisely the specific directing animators who worked on the sequences. If e.g. an inker or checker needed to find out who animated the scene because of some question
I used to wonder where precisely Walt Disney's first 2719 Hyperion Ave. studio was located, and what it looked like. Since reading about it first in the 1970s in Dave Smith's article in Michael Barrier's great Funnyworld, I spent hours looking at photos, aerial photographs, maps etc, until I found I had a pretty good impression. My aim here is to pass some of that on to you, as I have found there was an interest in this since I posted this image of the staff with their new Charlotte Clark dolls on my Facebook page: Looking through Cecil Munsey's Disneyana, it appears to me that the "funny looking" Mickey with the button eyes is actually an example of the 1930 British-made pose-able Mickey by the Dean's Rag Book company of London. First, the WHERE. Here is the front of the Gelsons parking lot, with the original plot of the studio indicated in a blueish hue. We see the very small building, the back yard that has a car shed does not even reach the current Gel
Something just occurred to me: this blog had its second anniversary four days ago, and I forgot to celebrate... What was there to celebrate, you ask? Well, I was pretty happy to be able to explain the timing to a musical beat using different kinds of original Disney bar sheets , with click track examples - and I made a little pc metronome for just that. Then there are the Who is who's, by way of animation drafts for 62 short films, four whole features ( Pinocchio , The Three Caballeros , Alice in Wonderland and One Hundred and One Dalmatians ) and parts of several others; 14 Action Analysis Classes and Technical Manuals of the 30's; photos and articles . I suggest that new visitors browse the archives! In the mean time I go look for more skeletons to drag out of the closet... Like this one. Yes, that is Les Clark with the little moustache, looking down. And I believe the older gent in the front is Earl Hurd, the legendary inventor of cels, who was at Disney's until he
Outside the first and last sequences, Les Clark only animates these few scenes of Lady in the cellar. I guess it's possible he supervised the work of other animators on other sequences without doing any scenes himself.
ReplyDeleteA few of the less prominent animators get some more to do here, most notably Ed Aardal.