So this explains why Davis is credited on that one scene from the previous sequence: because it includes the same weasel guard from this sequence.
In general the weasels seem to be consistently handled by Hugh Fraser or Marc Davis, and if the other characters appear in the same sequence, one of those two will animate the other characters as well. This will probably change in the next sequence though, which is likely to be cast the same way as most action climaxes: with seemingly no rules.
Working with Børge was fun, hard, boring, exciting, unusual, normal, and most of all educational. Over a year before leaving high school, in March 1978 I found out he lived in my neighborhood from a tv program about him and his wife Joanika. So I found him in the phone book (remember those?) and called him up. While studying art history, for a year I was his "pupil" doing animation tests, dropping by and having him correct them. Then, fed up with my art history professors, I moved my animation desk with my Neilson-Hordell disc into his Blaricum attic! (I am pointing at it in this photo taken last year:) Here, for almost four years, from March 1980 to November 1983 I smelled of his Douwe Egberts Red Amphora pipe tobacco and every day incl. weekends, Christmas and New Year from 10 to 6 we worked to the sound of BBC World Service if there were no jazz songs he had to listen to over and over again for an upcoming gig. I started doing simple non-production tests from his animation...
Directed by Ham Luske assisted by Jim Swain. Laid out by Ken Anderson, Al Zinnen and Thor Putnam. Secretary Ruth Wright. This Final draft dated 8/5/54. Animation by Ken O'Brien, George Nicholas, Jerry Hathcock, Harvey Toombs, Hal Ambro, Hal King with the baby by George Rowley. Again, very serviceable animators, no masterpieces... I like the CinemaScope note for sc. 28: "Lady will have to be alive throughout scene."
Directed by Bill Roberts assisted by Mike Holoboff. Layout by Al Zinnen. This FINAL draft dated 11/12/1946 by "Toby" Tobelmann. Animation by John Lounsbery (Giant, Donald), John Sibley (trio of Mickey, Donald, Goofy), Hugh Fraser (Giant, Mickey), Hal King (trio), Les Clark (Mickey), Hal Ambro (Mickey). No indication of effects animators...
Haha, I KNEW it! All Davis!
ReplyDeleteSo this explains why Davis is credited on that one scene from the previous sequence: because it includes the same weasel guard from this sequence.
ReplyDeleteIn general the weasels seem to be consistently handled by Hugh Fraser or Marc Davis, and if the other characters appear in the same sequence, one of those two will animate the other characters as well. This will probably change in the next sequence though, which is likely to be cast the same way as most action climaxes: with seemingly no rules.