Directed by Jack Kinney, layout by Lance Nolley and Thor Putnam. Animation by Ed Aardal ("incidentals"), Les Clark, Ollie Johnston, Harvey Toombs (Ichabod & girls) and Hal King (Brom Bones & boys). This FINAL draft dated 10/4/48.
I would think it fair to guess that Ollie was the Supervising Animator for this sequence. Again a lot of reworking: scenes 3 to 21 out of the picture?
Today the first Ichabod scene is by Les Clark, yesterday it was Larson. I'm starting to notice a pattern here! Harvey Toombs gets all the shots of Ichabod eating, too.
Ollie Johnston does a good job here, I knew it was either him or Frank working on it. Why would Les Clark be working on a small scene if he's probably not going to be on the rest of this short? This is another sequence where it features "Ollie's girls", and his animation here is very on-model.
Hal King is rather off-model with Broms here, compared to Milt Kahl.
Oh, and a small correction: Ed Aardal is not animating effects, but townspeople and animals. It would still count as "character animation", even if they are only incidental "extras". :)
Working with Børge was fun, hard, boring, exciting, unusual, normal, and most of all educational. Over a year before leaving high school, in March 1978 I found out he lived in my neighborhood from a tv program about him and his wife Joanika. So I found him in the phone book (remember those?) and called him up. While studying art history, for a year I was his "pupil" doing animation tests, dropping by and having him correct them. Then, fed up with my art history professors, I moved my animation desk with my Neilson-Hordell disc into his Blaricum attic! (I am pointing at it in this photo taken last year:) Here, for almost four years, from March 1980 to November 1983 I smelled of his Douwe Egberts Red Amphora pipe tobacco and every day incl. weekends, Christmas and New Year from 10 to 6 we worked to the sound of BBC World Service if there were no jazz songs he had to listen to over and over again for an upcoming gig. I started doing simple non-production tests from his animation...
Directed by Ham Luske assisted by Jim Swain. Laid out by Ken Anderson, Al Zinnen and Thor Putnam. Secretary Ruth Wright. This Final draft dated 8/5/54. Animation by Ken O'Brien, George Nicholas, Jerry Hathcock, Harvey Toombs, Hal Ambro, Hal King with the baby by George Rowley. Again, very serviceable animators, no masterpieces... I like the CinemaScope note for sc. 28: "Lady will have to be alive throughout scene."
Don Graham introduces this Thursday evening Action Analysis Class as the "last class for a while," and it seems that the next classes were held in July, some four months later. In this class he discusses "the work covered to date," concentrating on anticipation and overlapping action, with examples from Alpine Climbers , and referencing Dave Hand's lecture two weeks earlier. Johnny Cannon pantomimes overlapping actions, and we hear from George Goepper, Jack Hannah, Jack Campbell, Paul Allen, Riley Thompson, Jim Algar and Bill Shull. Is Paul Allen questioning Fergie's animation? I remember the discussions while animation on Vahalla in the 80's, on overlapping actions and follow-thru. They were especially mixed up as the term "overlap" had been used to mean follow-thru. It took years to rid folks of this bad habit, and some never could get used to it...
Today the first Ichabod scene is by Les Clark, yesterday it was Larson. I'm starting to notice a pattern here! Harvey Toombs gets all the shots of Ichabod eating, too.
ReplyDeleteI wondered, why they put two layout artists on this small sequence...
ReplyDeleteThe narration is different in the last couple of scenes.
ReplyDeleteOllie would have been supervising animator for the scenes with Ichabod and the women; Milt Kahl would have supervised the Brom Bones scenes.
ReplyDeleteOllie Johnston does a good job here, I knew it was either him or Frank working on it. Why would Les Clark be working on a small scene if he's probably not going to be on the rest of this short? This is another sequence where it features "Ollie's girls", and his animation here is very on-model.
ReplyDeleteHal King is rather off-model with Broms here, compared to Milt Kahl.
Oh, and a small correction: Ed Aardal is not animating effects, but townspeople and animals. It would still count as "character animation", even if they are only incidental "extras". :)
ReplyDeleteThanks, John V.! I haven't had the time to revisit the film yet, even though I am posting these pages, so at times my recollection fails - sorry!
ReplyDeleteThanks, EVERYONE, for commenting! Keep it coming!