Directed by Jack Kinney, layout by Lance Nolley and Thor Putnam. Animation by Ed Aardal ("incidentals"), Les Clark, Ollie Johnston, Harvey Toombs (Ichabod & girls) and Hal King (Brom Bones & boys). This FINAL draft dated 10/4/48.
I would think it fair to guess that Ollie was the Supervising Animator for this sequence. Again a lot of reworking: scenes 3 to 21 out of the picture?
Today the first Ichabod scene is by Les Clark, yesterday it was Larson. I'm starting to notice a pattern here! Harvey Toombs gets all the shots of Ichabod eating, too.
Ollie Johnston does a good job here, I knew it was either him or Frank working on it. Why would Les Clark be working on a small scene if he's probably not going to be on the rest of this short? This is another sequence where it features "Ollie's girls", and his animation here is very on-model.
Hal King is rather off-model with Broms here, compared to Milt Kahl.
Oh, and a small correction: Ed Aardal is not animating effects, but townspeople and animals. It would still count as "character animation", even if they are only incidental "extras". :)
Directed by Wilfred "JAXON" Jackson, laid out by Maclaren Stewart. Assistant director Mike Holoboff, secretary Toby (Tobelmann). This FINAL draft dated 11/3/52. Animation by Marvin Woodward (Lost Boys, John, Michael), Eric Larson (Peter), Harvey Toombs (Wendy), Don Lusk (Tink), Norm Ferguson (Nana), Jack Campbell (Father), Art Stevens, Milt Kahl (Father, Mother, Wendy), Marc Davis (Mother), Hal King (John), George Rowley (anchor chain, pixie dust, sail, ship), Josh Meador (cloud-ship). And that concludes the draft for Peter Pan, the fourteenth complete feature film draft on this blog! (Ok, you smart-alecks, we still need to see the last page of the Pink Elephant sequence...) As always, I feel the need to stress that these documents were kept to keep track of the responsible person, and as such it may not reflect precisely the specific directing animators who worked on the sequences. If e.g. an inker or checker needed to find out who animated the scene because of some question
I used to wonder where precisely Walt Disney's first 2719 Hyperion Ave. studio was located, and what it looked like. Since reading about it first in the 1970s in Dave Smith's article in Michael Barrier's great Funnyworld, I spent hours looking at photos, aerial photographs, maps etc, until I found I had a pretty good impression. My aim here is to pass some of that on to you, as I have found there was an interest in this since I posted this image of the staff with their new Charlotte Clark dolls on my Facebook page: Looking through Cecil Munsey's Disneyana, it appears to me that the "funny looking" Mickey with the button eyes is actually an example of the 1930 British-made pose-able Mickey by the Dean's Rag Book company of London. First, the WHERE. Here is the front of the Gelsons parking lot, with the original plot of the studio indicated in a blueish hue. We see the very small building, the back yard that has a car shed does not even reach the current Gel
Finally, the film I directed called " nijntje de film " ( miffy the movie ) has gone into general release in 118 cinemas in Holland today! As you can imagine, I am very proud of this film. Interestingly, the reviews are split in two: the ones where the reviewer saw the film WITH a children's audience all give the film four out of five stars, while the ones who have NOT seen the film with kids give it three out of five, and mention "I doubt if the film can keep the young audience captivated." The "four star" reviewers note that it can - that the film "works!" In the Dutch TV guide Troskompas , in the very first review published a week ago, I found a very clear view on this: the reviewer wrote that he feels he has no way of judging the film, but as his kid loved it and was entertained all the way, he could not but give the film four stars. To me, that is the only way to look at it: does our target audience like it? Are they amused and entertai
Today the first Ichabod scene is by Les Clark, yesterday it was Larson. I'm starting to notice a pattern here! Harvey Toombs gets all the shots of Ichabod eating, too.
ReplyDeleteI wondered, why they put two layout artists on this small sequence...
ReplyDeleteThe narration is different in the last couple of scenes.
ReplyDeleteOllie would have been supervising animator for the scenes with Ichabod and the women; Milt Kahl would have supervised the Brom Bones scenes.
ReplyDeleteOllie Johnston does a good job here, I knew it was either him or Frank working on it. Why would Les Clark be working on a small scene if he's probably not going to be on the rest of this short? This is another sequence where it features "Ollie's girls", and his animation here is very on-model.
ReplyDeleteHal King is rather off-model with Broms here, compared to Milt Kahl.
Oh, and a small correction: Ed Aardal is not animating effects, but townspeople and animals. It would still count as "character animation", even if they are only incidental "extras". :)
ReplyDeleteThanks, John V.! I haven't had the time to revisit the film yet, even though I am posting these pages, so at times my recollection fails - sorry!
ReplyDeleteThanks, EVERYONE, for commenting! Keep it coming!