Jerry Hatchcock animates a lot of scenes; although I think he did the ostriches in the background.
This is a charming sequence, I like the Norm Tate scene, I wonder if we do see him do the aligators; because I read somewhere that he animated them.
I must admit: I have a phobia of ostriches; I think they're creepy-looking creatures; and I hate the look of them, the fur, the long necks, the eyes, Urgh! A lot of people think it's a very unusual phobia I have, but it's true - I'm terrifyed of them!
Working with Børge was fun, hard, boring, exciting, unusual, normal, and most of all educational. Over a year before leaving high school, in March 1978 I found out he lived in my neighborhood from a tv program about him and his wife Joanika. So I found him in the phone book (remember those?) and called him up. While studying art history, for a year I was his "pupil" doing animation tests, dropping by and having him correct them. Then, fed up with my art history professors, I moved my animation desk with my Neilson-Hordell disc into his Blaricum attic! (I am pointing at it in this photo taken last year:) Here, for almost four years, from March 1980 to November 1983 I smelled of his Douwe Egberts Red Amphora pipe tobacco and every day incl. weekends, Christmas and New Year from 10 to 6 we worked to the sound of BBC World Service if there were no jazz songs he had to listen to over and over again for an upcoming gig. I started doing simple non-production tests from his animation...
Directed by Jack Kinney, layout by Charles Philippi. This FINAL draft dated 4/20/48. Animation by Ollie Johnston with Bob Youngquist and Al Stetter. We have seen some beautiful poses of Ollie's D.A. in The Illusion of Life from scenes on these pages. Al Stetter we have met working on Put-Put Trouble and drawing thorns in Sleeping Beauty. In 1946, we found him in 1D-10, Frank Thomas' future office. An anonymous commenter noted on the day after it happened that "Al Stetter passed away on January 27th, 2008...at the age of 100." [Albert Alvin Stetter was born 5/21/1907. His SSN was issued in his birth state of Pennsylvania, and Burbank was his last residence. Alberto's page does not list Stetter's feature credits: "Animator: DISNEY c39/55-57 (Donald Duck 40 [Put-Put Troubles], Pluto’s Day 56, The Truth About Mother Goose 57, How to Relax 57)." IMDB shows he also animated on two episodes of "Matty's Funnies with Beany and Cecil." It see...
Directed by Bill Roberts assisted by Mike Holoboff. Layout by Al Zinnen. This FINAL draft dated 11/12/1946 by "Toby" Tobelmann. Animation by John Lounsbery (Giant, Donald), John Sibley (trio of Mickey, Donald, Goofy), Hugh Fraser (Giant, Mickey), Hal King (trio), Les Clark (Mickey), Hal Ambro (Mickey). No indication of effects animators...
Jerry Hatchcock animates a lot of scenes; although I think he did the ostriches in the background.
ReplyDeleteThis is a charming sequence, I like the Norm Tate scene, I wonder if we do see him do the aligators; because I read somewhere that he animated them.
I must admit: I have a phobia of ostriches; I think they're creepy-looking creatures; and I hate the look of them, the fur, the long necks, the eyes, Urgh! A lot of people think it's a very unusual phobia I have, but it's true - I'm terrifyed of them!
This comment has been removed by the author.
ReplyDeleteEveryone here, with the possible exception of Howy Swift, is or was a Pluto animator at one point or another.
ReplyDeleteWhat is Geroge Nicholas doing here?
Hugh Fraser also animates the Ostrich in 'El Gaucho Goofy'.
I'm not really sure what Hathcock did here... the first scene contains only one ostrich, and gives Swift and Hathcock identical footage counts.
ReplyDelete