Jerry Hatchcock animates a lot of scenes; although I think he did the ostriches in the background.
This is a charming sequence, I like the Norm Tate scene, I wonder if we do see him do the aligators; because I read somewhere that he animated them.
I must admit: I have a phobia of ostriches; I think they're creepy-looking creatures; and I hate the look of them, the fur, the long necks, the eyes, Urgh! A lot of people think it's a very unusual phobia I have, but it's true - I'm terrifyed of them!
Working with Børge was fun, hard, boring, exciting, unusual, normal, and most of all educational. Over a year before leaving high school, in March 1978 I found out he lived in my neighborhood from a tv program about him and his wife Joanika. So I found him in the phone book (remember those?) and called him up. While studying art history, for a year I was his "pupil" doing animation tests, dropping by and having him correct them. Then, fed up with my art history professors, I moved my animation desk with my Neilson-Hordell disc into his Blaricum attic! (I am pointing at it in this photo taken last year:) Here, for almost four years, from March 1980 to November 1983 I smelled of his Douwe Egberts Red Amphora pipe tobacco and every day incl. weekends, Christmas and New Year from 10 to 6 we worked to the sound of BBC World Service if there were no jazz songs he had to listen to over and over again for an upcoming gig. I started doing simple non-production tests from his animation...
Directed by Ham Luske assisted by Jim Swain. Laid out by Ken Anderson, Al Zinnen and Thor Putnam. Secretary Ruth Wright. This Final draft dated 8/5/54. Animation by Ken O'Brien, George Nicholas, Jerry Hathcock, Harvey Toombs, Hal Ambro, Hal King with the baby by George Rowley. Again, very serviceable animators, no masterpieces... I like the CinemaScope note for sc. 28: "Lady will have to be alive throughout scene."
Hi Friends! It's been too long! I have been drenched in work, and the history of the place I am working in is in itself REALLY interesting! On the other hand, I cannot stand not being in touch with my good Disney friends, and I feel a severe need to share some more stuff. This time I will show you Prod. 2006 - Dumbo. This is the sequence listing, typed on labels and stuck onto the inside of the folder containing the draft: I certainly hope someone will make mosaics of this, as well, though I must warn you in advance that there are scenes missing animator assignments. This production seems to have been made so quickly, that once the last scenes were handed out, there would be no new drafts made up. This seems quite logical, considering my "Standard Disclaimer:" "Animation drafts were never meant to be historical documents. They were meant as go-to documents, showing the responsible artist for a certain scene, who might be able to help in case there would be any need ...
Jerry Hatchcock animates a lot of scenes; although I think he did the ostriches in the background.
ReplyDeleteThis is a charming sequence, I like the Norm Tate scene, I wonder if we do see him do the aligators; because I read somewhere that he animated them.
I must admit: I have a phobia of ostriches; I think they're creepy-looking creatures; and I hate the look of them, the fur, the long necks, the eyes, Urgh! A lot of people think it's a very unusual phobia I have, but it's true - I'm terrifyed of them!
This comment has been removed by the author.
ReplyDeleteEveryone here, with the possible exception of Howy Swift, is or was a Pluto animator at one point or another.
ReplyDeleteWhat is Geroge Nicholas doing here?
Hugh Fraser also animates the Ostrich in 'El Gaucho Goofy'.
I'm not really sure what Hathcock did here... the first scene contains only one ostrich, and gives Swift and Hathcock identical footage counts.
ReplyDelete