It always appears to be that every time I see Cliff Nordberg's animation - its usually entertaining, wild and similar to what Ward Kimball would have done. Didn't Cliff Nordberg work in a Kimball style? I'm asking because, he worked closely with Kimball on Dum and Dee or the Mad Hatter and the March Hare in Alice in Wonderland and he did a big chunk of work on the film. He also worked under Kimball in Pecos Bill.
He animated the characters, Jasper and Horace in 101 Dalmatians under John Lounsbery.
He seems to have been a good animator who has been overlooked.
You can always count on a nice livley performance from Cliff Nordberg! Just about everything here is so hyperactive. It's wonderful, and very worthy and characteristic of him. I'm surprised someone else didn't get some of the early scenes, though.
Working with Børge was fun, hard, boring, exciting, unusual, normal, and most of all educational. Over a year before leaving high school, in March 1978 I found out he lived in my neighborhood from a tv program about him and his wife Joanika. So I found him in the phone book (remember those?) and called him up. While studying art history, for a year I was his "pupil" doing animation tests, dropping by and having him correct them. Then, fed up with my art history professors, I moved my animation desk with my Neilson-Hordell disc into his Blaricum attic! (I am pointing at it in this photo taken last year:) Here, for almost four years, from March 1980 to November 1983 I smelled of his Douwe Egberts Red Amphora pipe tobacco and every day incl. weekends, Christmas and New Year from 10 to 6 we worked to the sound of BBC World Service if there were no jazz songs he had to listen to over and over again for an upcoming gig. I started doing simple non-production tests from his animation...
Directed by Wilfred "JAXON" Jackson, laid out by Maclaren Stewart. Assistant director Mike Holoboff, secretary Toby (Tobelmann). This FINAL draft dated 11/3/52. Animation by Marvin Woodward (Lost Boys, John, Michael), Eric Larson (Peter), Harvey Toombs (Wendy), Don Lusk (Tink), Norm Ferguson (Nana), Jack Campbell (Father), Art Stevens, Milt Kahl (Father, Mother, Wendy), Marc Davis (Mother), Hal King (John), George Rowley (anchor chain, pixie dust, sail, ship), Josh Meador (cloud-ship). And that concludes the draft for Peter Pan, the fourteenth complete feature film draft on this blog! (Ok, you smart-alecks, we still need to see the last page of the Pink Elephant sequence...) As always, I feel the need to stress that these documents were kept to keep track of the responsible person, and as such it may not reflect precisely the specific directing animators who worked on the sequences. If e.g. an inker or checker needed to find out who animated the scene because of some question...
The inside cover of my Fun and Fancy Free draft has this index: How time flies, especially when you are busy! In less than a month, my old mentor Børge Ring will be 97. A few years ago he wrote an intro for me for the upcoming draft of Prod. 2057, Fun and Fancy Free, which comprises of Prod. 2043, Mickey and the Beanstalk and Prod. 2048, Bongo, though not in that order in the film. In his intro, Børge specifically addresses the first part of the film, Bongo. I translated his text to English as close to his original as I could, incl. punctuation, and I hope it passes muster. Here goes: BONGO A bricked-in circus artist. "Fun and Fancy Free" is generally considered a substandard Disney movie. "A rather thrown-together construction." Right. Try, just for fun, to imagine removing all of the construction except for BONGO. What do you have left?????????????????.................. You have a treasure chest filled with some of Walt's very best animation committed by some ...
It always appears to be that every time I see Cliff Nordberg's animation - its usually entertaining, wild and similar to what Ward Kimball would have done. Didn't Cliff Nordberg work in a Kimball style? I'm asking because, he worked closely with Kimball on Dum and Dee or the Mad Hatter and the March Hare in Alice in Wonderland and he did a big chunk of work on the film. He also worked under Kimball in Pecos Bill.
ReplyDeleteHe animated the characters, Jasper and Horace in 101 Dalmatians under John Lounsbery.
He seems to have been a good animator who has been overlooked.
You can always count on a nice livley performance from Cliff Nordberg! Just about everything here is so hyperactive. It's wonderful, and very worthy and characteristic of him. I'm surprised someone else didn't get some of the early scenes, though.
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