Prod. 2519 - The Rescuers (XII) - Seq. 05.5 - Mice Land
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Directed by John Lounsbery and Art Stevens, assistant director Rick Rich, layout by Sylvia Roemer and Joe Hale. Secretaries P[at] Lestina and C[harlene] Rogers. This FINAL draft of 3/18/77.
Animation by Frank Thomas (supervising), Bill Hajee, Chuck Harvey, Ron Clements and one scene by Cliff Nordberg.
I knew Frank thomas was here! All the animation really nice. And Ron Clements wasn't too hard to expect either, based on his claims in the animation podcast. It's good to see Nord Nordberg too, but I'm surprised he didn't do the Moonshine reaction shots.
Everything about scene 12 is amusing. It's just perfect!
Directed by Burt Gillett. Released 10/23/30, this FINAL draft dated 9/13/30. Animation by Dave Hand, Jack King, Charlie Byrne, Norm Ferguson, Dick Lundy, Johnny Cannon, Les Clark, Ben Sharpsteen, Tom Palmer, Wilfred Jackson, Jack Cutting and Frenchy de Trémaudan. Found on the Treasures DVD Mickey Mouse in Black and White, Vol. 2 Disk 1 or on YouTube, though in very low quality here . A cute little film, this is actually a landmark in animation history. "Can I bring Rover?" Little Rover is, of course, none other than Pluto! Fergy's scene 27 is often "quoted" when discussing the origins of this the most famous of cartoon canines. It is very interesting to see the difference in drawing styles. Fergy tries to draw a dog and mostly does a very nice job. Compare this with e.g. Palmer's attempt in the final scene. It is a "funny cartoon balloon animal," a much more simplistic and symbolic way of drawing. Palmer, Cannon and Lundy seem not to be quite up to...
Directed by Wilfred "JAXON" Jackson, laid out by Maclaren Stewart. Assistant director Mike Holoboff, secretary Toby (Tobelmann). This FINAL draft dated 11/3/52. Animation by Marvin Woodward (Lost Boys, John, Michael), Eric Larson (Peter), Harvey Toombs (Wendy), Don Lusk (Tink), Norm Ferguson (Nana), Jack Campbell (Father), Art Stevens, Milt Kahl (Father, Mother, Wendy), Marc Davis (Mother), Hal King (John), George Rowley (anchor chain, pixie dust, sail, ship), Josh Meador (cloud-ship). And that concludes the draft for Peter Pan, the fourteenth complete feature film draft on this blog! (Ok, you smart-alecks, we still need to see the last page of the Pink Elephant sequence...) As always, I feel the need to stress that these documents were kept to keep track of the responsible person, and as such it may not reflect precisely the specific directing animators who worked on the sequences. If e.g. an inker or checker needed to find out who animated the scene because of some question...
Mickey Cuts Up was directed by Burt Gillett and released 11/30/1931. It is found on Disney Treasures DVD: Mickey Mouse in Black & White Volume 1 disc 1. You may still find it here on YouTube. Have a look, if you need a clearer understanding of the following documents! Gillett left some documents pertaining Mickey Cuts Up behind, and I would like here to show a few of these that I recently lucked into. It is interesting to speculate in which order these were written - they seem to all be in Gillett's own handwriting and would probably date to late August or early September 1931. First we have two pages, numbered 1 & 2, with ideas linked to names, Otto and Webb, which to me seems to mean that the ideas were originally thought out by either Otto Englander or Webb Smith. There are interesting ideas that did not make the film - they are crossed out: "mower bumps up and down on hedge - trick cuts." Some were not crossed out and made it in the film: "Cuts down tre...
Ah yes, Pat Buttram does the voice of the Drunken Luke and I like Buttram's voice, I'm not sure what to describe it.
ReplyDeleteP.S. I've learnt how to use a scanner and I'm posting pages of my play!!
I knew Frank thomas was here! All the animation really nice. And Ron Clements wasn't too hard to expect either, based on his claims in the animation podcast. It's good to see Nord Nordberg too, but I'm surprised he didn't do the Moonshine reaction shots.
ReplyDeleteEverything about scene 12 is amusing. It's just perfect!
Dang it, Scene 11 is what I was reffering to. Brilliant stuff! The timing, the action, the voice acting, it all comes together brilliantly.
ReplyDelete