Milt Kahl in Beverly Hills


Anyone else going to the "Milt Kahl: The Animation Michelangelo" Academy event at the Samuel Goldwyn Theater in Beverly Hills on Monday April 27th? With tickets at $5, it is sure to sell out quickly!

Comments

  1. ThomasHjorthaabMarch 30, 2009 at 2:46 PM

    Would really LOVE to go, but it's pretty hard, when I'm sitting in Denmark with a damn cheesy job...
    So enjoy Hans!:D

    ReplyDelete
  2. Christopher James DoyleMarch 31, 2009 at 1:26 AM

    To quote Baghera, "just what he needs, more confidence". I am sure Milt up there is letting the other Nine know of the title of his little tribute back here on earth!

    ReplyDelete
  3. darmok47March 31, 2009 at 2:56 PM

    What happened to the "Animation versus story" post?

    ReplyDelete
  4. Hans PerkMarch 31, 2009 at 3:01 PM

    Re: Animation vs. Story, I posted that prematurely - it was a draft, and I am as yet not happy with it. It will return after a bit of work!

    ReplyDelete
  5. Paul NaasApril 4, 2009 at 9:28 PM

    I wish I could, but I'm a NorCal resident.

    ReplyDelete
  6. kev ferraraOctober 14, 2009 at 10:57 PM

    Just dropping in to thank you for posting all this rare material. It was particularly refreshing to hear Tytla's humanizing response to the more widely known Graham Action Analysis Class.

    ReplyDelete

Post a Comment

Popular posts from this blog

Prod. CM8 - The Picnic

Image
Directed by Burt Gillett. Released 10/23/30, this FINAL draft dated 9/13/30. Animation by Dave Hand, Jack King, Charlie Byrne, Norm Ferguson, Dick Lundy, Johnny Cannon, Les Clark, Ben Sharpsteen, Tom Palmer, Wilfred Jackson, Jack Cutting and Frenchy de Trémaudan. Found on the Treasures DVD Mickey Mouse in Black and White, Vol. 2 Disk 1 or on YouTube, though in very low quality here . A cute little film, this is actually a landmark in animation history. "Can I bring Rover?" Little Rover is, of course, none other than Pluto! Fergy's scene 27 is often "quoted" when discussing the origins of this the most famous of cartoon canines. It is very interesting to see the difference in drawing styles. Fergy tries to draw a dog and mostly does a very nice job. Compare this with e.g. Palmer's attempt in the final scene. It is a "funny cartoon balloon animal," a much more simplistic and symbolic way of drawing. Palmer, Cannon and Lundy seem not to be quite up to...
Read more

Prod. CM20 - Mickey Cuts Up

Image
Mickey Cuts Up was directed by Burt Gillett and released 11/30/1931. It is found on Disney Treasures DVD: Mickey Mouse in Black & White Volume 1 disc 1. You may still find it here on YouTube. Have a look, if you need a clearer understanding of the following documents! Gillett left some documents pertaining Mickey Cuts Up behind, and I would like here to show a few of these that I recently lucked into. It is interesting to speculate in which order these were written - they seem to all be in Gillett's own handwriting and would probably date to late August or early September 1931. First we have two pages, numbered 1 & 2, with ideas linked to names, Otto and Webb, which to me seems to mean that the ideas were originally thought out by either Otto Englander or Webb Smith. There are interesting ideas that did not make the film - they are crossed out: "mower bumps up and down on hedge - trick cuts." Some were not crossed out and made it in the film: "Cuts down tre...
Read more

Average Animator Footage in 1938

Image
Two and a half months after the premiere of Snow White and the Seven Dwarfs, on March 11, 1938, Producer/Supervising Director Dave Hand issued this memo called DEADLINES. Of course, everybody in the animation business has gotten memos called this, but here is an insight into just how much was produced by the (now) famous animators at Disney's in the Golden Age. Fred Moore stands out as missing on this memo, but otherwise it is quite a list of top talent. (Bernard Garbutt animated?) Now, I do not remember when Disney changed to a 5-day work week, but let's say it was before this time: in this case Norm Ferguson had a weekly average of 35 feet, or 23 seconds 8 frames! Pretty high up we also find Fred Spencer, Frank Thomas and Bill Tytla, with 30 feet, or 20 seconds each. On the other end of the scale is Larry Clemmons with 10 feet or 6 seconds and 16 frames, followed by Ollie Johnston and Don Lusk with 12.5 feet or 8 seconds 8 frames each... Since the second page was a bit ha...
Read more