Directed by Burt Gillett. Released 10/23/30, this FINAL draft dated 9/13/30. Animation by Dave Hand, Jack King, Charlie Byrne, Norm Ferguson, Dick Lundy, Johnny Cannon, Les Clark, Ben Sharpsteen, Tom Palmer, Wilfred Jackson, Jack Cutting and Frenchy de Trémaudan. Found on the Treasures DVD Mickey Mouse in Black and White, Vol. 2 Disk 1 or on YouTube, though in very low quality here . A cute little film, this is actually a landmark in animation history. "Can I bring Rover?" Little Rover is, of course, none other than Pluto! Fergy's scene 27 is often "quoted" when discussing the origins of this the most famous of cartoon canines. It is very interesting to see the difference in drawing styles. Fergy tries to draw a dog and mostly does a very nice job. Compare this with e.g. Palmer's attempt in the final scene. It is a "funny cartoon balloon animal," a much more simplistic and symbolic way of drawing. Palmer, Cannon and Lundy seem not to be quite up to...
Hans- Your comments are right on target. I had a media teacher that was fond of saying "Technique should be the second thing a viewer notices" - the implication was that the message/intent should alway be first. The issue of technique and awareness always bothered me when watching Sleeping Beauty. There's no question that Earle's work is amazing, but I remember being so struck by this "new look" that I think I missed some of the more subtle ways that characters were handled...
ReplyDelete-bob
Bob, in my mind, your media teacher should have said "Technique should be the LAST thing a viewer notices!"
ReplyDeleteI know what you mean, about Sleeping Beauty. When I saw it in the cinema the first time in the late 70s, my mother whispered to me during the first scenes: "Are you sure this is a Disney film?!"
Børge felt that the quote best stand alone, and I can see his point - that is why I moved my comments to here - the comments section. Here is what I removed:
ReplyDeleteYou will realize that it also indirectly can mean that whatever style a picture is in, if the audience thinks about this style, they are lost for the story. Which is what killed hand-drawn animation, at least temporarily, a few years back...
I somehow also recall a similar quote from The Illusion of Life, which does not make it less important here. I really need to read this our Good Book again soon! Everybody should, actually...
It reminds me of the old James Stewart documentary on tv yesterday, in which he says something like "If you act so that the acting doesn't show through, you are doing a decent job."