Prod. 2074 - Peter Pan (XVII) - Seq. 15.0 - Voyage Home -- Ending
Directed by Wilfred "JAXON" Jackson, laid out by Maclaren Stewart. Assistant director Mike Holoboff, secretary Toby (Tobelmann). This FINAL draft dated 11/3/52. Animation by Marvin Woodward (Lost Boys, John, Michael), Eric Larson (Peter), Harvey Toombs (Wendy), Don Lusk (Tink), Norm Ferguson (Nana), Jack Campbell (Father), Art Stevens, Milt Kahl (Father, Mother, Wendy), Marc Davis (Mother), Hal King (John), George Rowley (anchor chain, pixie dust, sail, ship), Josh Meador (cloud-ship). And that concludes the draft for Peter Pan, the fourteenth complete feature film draft on this blog! (Ok, you smart-alecks, we still need to see the last page of the Pink Elephant sequence...) As always, I feel the need to stress that these documents were kept to keep track of the responsible person, and as such it may not reflect precisely the specific directing animators who worked on the sequences. If e.g. an inker or checker needed to find out who animated the scene because of some question...



I remember once while working at the Hubley studio that John and Tissa David were arguing (jokingly) over pan speeds of a couple of overlays. John ended the argument by saying he had just received a phone call from someone in Europe who had praised him for creating one of the greatest multiplane scenes ever. The coach ride. He told Tissa that she had to listen to him since he was obviously the master of the multiplane.
ReplyDeleteThanks again for posting these Hans.
I remember hearing a story about Walt fuming over how people praised the "boat on the water" shot in this scene more than the expensively-shot opening scene of Sequence 2. I believe his words were "Never again.".
ReplyDeleteI think this was about the time Frank, Ollie, Ward & Milt began to surpass Fred Moore. Almost like the baton was passed on to them at this point. Moore's animation of Lampwick, although very funny, well executed & full of emotion, is a lot broader & lacks subtlty, unlike Milt or Frank's animation of Pinocchio. I'm not badmouthing Moore in any way here, I admire all of his work & how it has affected animation to this very day.
Once again, thanks for the drafts, Hans.
Fred Moore's drawings of Lampwick are very amusing, funny and well drawn, but I think ever since Walt Disney started work on features, I think that it made Fred Moore start doing less work, because I mean Fred Moore didn't do as much animation on "Pinocchio" as Ollie Johnston did, or Art Babbitt, Milt Kahl, Bill Tytla, Woolie Reitherman, Ward Kimball, etc.
ReplyDeleteBut yet, I think he still brought some great animation in Pinocchio, I mean in Sequence 10.1, he handles Gepetto winderfully!!