Very smooth animation, but not very funny. Too bad Emery Hawkins didn't animate this one. The grandmother's voice isn't very good either - trying too hard to be cartoony. Not among my favorite Hubley commercials.
Interestingly enough, several of my friends seem to remember this one very well - and they hadn't been born when it came out! I have no idea why, and neither do they...
I remember it too , from the late 60's so I wonder if the agency reused it later , re-inking the cels in color (or were they originally inked & painted in color?) for rebroadcast ?
Is there any chance that this could be a Quartet commercial that Babbitt did in the mid-50s? Quartet had the core crew of Hubley's Storyboard so a lot of their commercials look and feel like Hubleys.
Working with Børge was fun, hard, boring, exciting, unusual, normal, and most of all educational. Over a year before leaving high school, in March 1978 I found out he lived in my neighborhood from a tv program about him and his wife Joanika. So I found him in the phone book (remember those?) and called him up. While studying art history, for a year I was his "pupil" doing animation tests, dropping by and having him correct them. Then, fed up with my art history professors, I moved my animation desk with my Neilson-Hordell disc into his Blaricum attic! (I am pointing at it in this photo taken last year:) Here, for almost four years, from March 1980 to November 1983 I smelled of his Douwe Egberts Red Amphora pipe tobacco and every day incl. weekends, Christmas and New Year from 10 to 6 we worked to the sound of BBC World Service if there were no jazz songs he had to listen to over and over again for an upcoming gig. I started doing simple non-production tests from his animation...
This just in from Børge Ring. It is not a Disney item, but fun, nonetheless: William Littlejohn animated Lucy and Snoopy for Melendez on the PEANUTS series and recounted: "At one time Charles Schultz (the author of the comic strip) complained: "You guys make a mistake when you animate Charlie Brown. You change the placement of his nose when his head turns from profile to front view!" "No Charlie...the change is YOURS!" "Ah...come on fellers, I know my own characters!" They invited him down to the studio, set him up in the attic at a lightbox and said: "Draw a Charlie Brown in profile and one where he looks into the camera. Then draw three stages in between the two where his head turns." At 7 o'clock that evening, when everybody was having beers and playing pool, a tired Schulz came down the stairs, jacket slung over the shoulder. He stopped briefly to say: "OK, you guys. You win..."
This was quite the weekend! Not only did Coco win all 11 Annies it was nominated for, and The Breadwinner won as best independent feature - a warm congrats to all winners! - but on the local front, a lot happened, as well! Saturday morning saw the premiere of our latest animated feature film Hodja fra Pjort in Imperial Bio here in Copenhagen, which Wikipedia describes as having "the largest single screen in Northern Europe with 1002 seats, which is also the biggest screen in the world to feature Dolby Atmos." It is also the first cinema where Atmos was installed. That was very exciting (but boy, was it cold outside)! Then, Yesterday, at the Danish Film Academy's 2018 Robert Awards (the Danish "Oscars"), our film The Incredible Story of the Giant Pear won in these two categories: Best Adapted Screenplay and Best Children's/Youth Film! As editor (among other functions) of both movies, it was a time to be pretty darn proud! This images shows our trio of dire...
Very smooth animation, but not very funny. Too bad Emery Hawkins didn't animate this one. The grandmother's voice isn't very good either - trying too hard to be cartoony. Not among my favorite Hubley commercials.
ReplyDeleteInterestingly enough, several of my friends seem to remember this one very well - and they hadn't been born when it came out! I have no idea why, and neither do they...
ReplyDeleteI remember it too , from the late 60's so I wonder if the agency reused it later , re-inking the cels in color (or were they originally inked & painted in color?) for rebroadcast ?
ReplyDeleteIs there any chance that this could be a Quartet commercial that Babbitt did in the mid-50s? Quartet had the core crew of Hubley's Storyboard so a lot of their commercials look and feel like Hubleys.
ReplyDelete